Zoekresultaten
Resultaat 181 - 200 (van 510)
Desirée Dolron Desirée Dolron
xteriors
Fotoboek over de serie Xteriors van de Nederlandse fotografe Desirée Dolron (1963), gemaakt tussen 2001 en 2005.
Non-fictie
Engels | Nederlands | 28 pagina's | Raven Publishers, Amsterdam | 2017
Gedrukt boek
Iris Duvekot The workshop
Dutch creatives and their workspaces
Portretten van 25 creatieve Nederlanders en hun werkplaatsen.
Non-fictie
Engels | Nederlands | 240 pagina's | Mendo, Amsterdam | 2017
Gedrukt boek
Wim Verboven Zinkplaat en planken
het verdwijnen van de houten volkswoning in Paramaribo
Fotoboek over verval, verdwijnen en behoud van de eenvoudige houten volkswoningen In Paramaribo, met interviews en literaire teksten.
Non-fictie
Nederlands | 180 pagina's | LM Publishers, [Volendam] | 2017
Gedrukt boek
Floor de Graaf Anton L. Koster 1859-1937
schilder van bloembollenvelden
Rijk geïllustreerde uitgave die het leven en werk van de Nederlandse kunstschilder Anton L. Koster (1859-1937) bespreekt.
Non-fictie
Nederlands | 128 pagina's | Waanders Uitgevers, Zwolle | 2017
Gedrukt boek
Rosa Loy Bilder Bergen
Malerei
Overzicht van het werk van de Duitse schilderes Rosa Loy, portretten van sensuele en krachtige meisjes/jonge vrouwen. Opvallend zijn de vervormingen, bloemen en planten, de handelingen en het huiselijke, op een vervreemdende droomachtige manier.
Non-fictie
Duits | Nederlands | 78 pagina's | WBOOKS, Zwolle | 2017
Gedrukt boek
Willem te Slaa | Tonko Grever | Quirine van Aerts Ferdinand Bol
het huis, de collectie, de kunstenaar
Beschrijving van het maatschappelijke succes van beroepskunstschilder Ferdinand Bol (1616-1689) en zijn netwerken binnen de elite in Amsterdam.
Non-fictie
Nederlands | 63 pagina's | WBOOKS, Zwolle | 2017
Gedrukt boek
Doris Wintgens Peggy, Nelly
Peggy Guggenheim en Nelly van Doesburg voorvechters van De Stijl
Levensverhaal van Peggy Guggenheim en Nelly van Doesburg, geëmancipeerde vriendinnen die van grote betekenis zijn geweest voor de opkomst en acceptatie van de moderne kunst in de 20e eeuw.
Non-fictie
Nederlands | 159 pagina's | nai010 uitgevers, Rotterdam | 2017
Gedrukt boek
Bram de Klerck In het hart van de Renaissance
schilderkunst uit Noord-Italië, 1500-1600
Tentoonstellingscatalogus met een overzicht en bespreking van het werk van enkele minder bekende Italiaanse renaissancekunstenaars uit het noorden van Italië, met nadruk op de stad Brescia.
Non-fictie
Nederlands | 176 pagina's | Rijksmuseum Twenthe, Enschede | 2017
Gedrukt boek
Koos Havelaar Hollands Spoor, een koninklijk treinstation
kathedraal van de techniek
Informatie in woord en beeld over de geschiedenis van het oudste treinstation in Den Haag, de functie van het gebouw in de stad en de vele veranderingen die het heeft ondergaan.
Non-fictie
Nederlands | 171 pagina's | Eindeloos ontwerpen en uitgeven, [Den Haag] | 2017
Gedrukt boek
Steven Vande Moortele Two-dimensional sonata form
form and cycle in single-movement instrumental works by Liszt, Strauss, Schoenberg, and Zemlinsky
Two-Dimensional Sonata Form is the first book dedicated to the combination of the movements of a multimovement sonata cycle with an overarching single-movement form that is itself organized as a sonata form. Drawing on a variety of historical and recent approaches to musical form (e.g., Marxian and Schoenbergian Formenlehre, Caplin's theory of formal functions, and Hepokoski and Darcy's Sonata Theory), it begins by developing an original theoretical framework for the analysis of this type of form...
Non-fictie
Engels | 220 pagina's (PDF, 6,8 MB) | Leuven University Press, Leuven | 2017
E-book
Thomas Christensen Partimento and continuo playing in theory and in practice
This volume is a collection of essays based on lectures given at the International Orpheus Academy for Music Theory on 'Music and Theory: Thoroughbass in Practice, Theory, and Improvisation'. Hence the point of departure was not 'Music Theory' as such, but the interaction between music theory, music history, performance practice, aesthetics, and related sciences. This multidisciplinary approach, with the accent on the interplay between music performance and music theory, is reflected in the contributions...
Non-fictie
Engels | 136 pagina's (PDF, 4,3 MB) | Universitaire Pers Leuven, Leuven | 2017
E-book
Thomas Christensen Towards tonality
aspects of baroque music theory
This is a collection of essays based on lectures presented at the International Orpheus Academy for Music and Theory on "Historical Theory, Performance, and Meaning in Baroque Music". The often complex connections and intersections between, e.g., modal and tonal idioms, contrapuntal and harmonic organisation, were considered from various perspectives as to the transition (towards tonality) from the Renaissance to the Baroque era. Bron: Flaptekst, uitgeversinformatie
Non-fictie
Engels | Frans | 205 pagina's (PDF, 17 MB) | Leuven University Press, Leuven | 2017
E-book
Orpheus Institute Artistic experimentation in music
an anthology
Essential reading for anyone interested in artistic research applied to music. This book is the first anthology of writings about the emerging subject of artistic experimentation in music. This subject, as part of the cross-disciplinary field of artistic research, cuts across boundaries of the conventional categories of performance practice, music analysis, aesthetics, and music pedagogy. The texts, most of them specially written for this volume, have a common genesis in the explorations of the Orpheus...
Non-fictie
Engels | 416 pagina's (PDF, 5 MB) | Leuven University Press, Leuven | 2017
E-book
New paths
aspects of music theory and aesthetics in the age of romanticism
New Paths, the seventh volume in the Writings of the Orpheus Institute, is a result of the third International Orpheus Academy for Music Theory. Five renowned scholars discuss a variety of topics related to romanticism, focusing especially on the years 1800-1840. In a much-needed historical and critical overview of the concept of organicism, John Neubauer ranges from its origins in Enlightenment biology to its aftermath in postmodernism. Janet Schmalfeldt shows that Beethoven's op.47 not only should...
Non-fictie
Engels | 200 pagina's (PDF, 6,7 MB) | Leuven University Press, Leuven | 2017
E-book
Unfolding time
studies in temporality in twentieth century music
Questions concerning music and its inextricably intertwined and complex interface with time continue to fascinate musicians and scholars. For performers, the primary perception of music is arguably the way in which it unfolds in 'real time'; while for composers a work appears 'whole and entire', with the presence of the score having the potential to compress, and even eliminate, the perception of time as 'passing'. The paradoxical relationship between these two perspectives, and the subtle mediations...
Non-fictie
Engels | 198 pagina's (PDF, 12 MB) | Leuven University Press, Leuven | 2017
E-book
Alessandro Cervino The practice of practising
The process of practising is intrinsic to musical creativity. Practising may primarily be thought of as technical, but it is often also musically meaningful, including elements of interpretation, improvisation, and/or composition. The practice room can be a space in which to explore a field of creative possibilities; a place to experiment and to refine ideas. To date, the literature on practice has been primarily pedagogical and psychological. Little attention is paid to the significance of practice,...
Non-fictie
Engels | 92 pagina's (PDF, 6,6 MB) | Leuven University Press, Leuven | 2017
E-book
Barbara Titus Recognizing music as an art form
Friedrich Th. Vischer and German music criticism, 1848-1887
The impact of Hegelian philosophy on 19th-century music criticism. Music's status as an art form was distrusted in the context of German idealist philosophy which exerted an unparalleled influence on the entire nineteenth century. Hegel insisted that the content of a work of art should be grasped in concepts in order to establish its spiritual substantiality (Geistigkeit), and that no object, word or image could accurately represent the content and meaning of a musical work. In the mid-nineteenth...
Non-fictie
Engels | 270 pagina's (PDF, 3,1 MB) | Leuven University Press, Leuven | 2017
E-book
Music, analysis, experience
new perspectives in musical semiotics
Transdisciplinary and intermedial analysis of the experience of music. Nowadays musical semiotics no longer ignores the fundamental challenges raised by cognitive sciences, ethology, or linguistics. Creation, action and experience play an increasing role in how we understand music, a sounding structure impinging upon our body, our mind, and the world we live in. Not discarding music as a closed system, an integral experience of music demands a transdisciplinary dialogue with other domains as well....
Non-fictie
Engels | 356 pagina's (PDF, 5,1 MB) | Leuven University Press, Leuven | 2017
E-book
Paulo C. Chagas Unsayable music
six reflections on musical semiotics, electroacoustic and digital music
Profound theoretical and philosophical approach to contemporary music. Unsayable Music presents theoretical, critical and analytical reflections on key topics of contemporary music including acoustic, electroacoustic and digital music, and audiovisual and multimedia composition. Six essays by Paulo C. Chagas approaching music from different perspectives such as philosophy, sociology, cybernetics, musical semiotics, media, and critical studies. Chagas's practical experience, both as a composer of...
Non-fictie
Engels | 300 pagina's (PDF, 4,9 MB) | Universitaire Pers Leuven, Leuven | 2017
E-book
What Is a cadence?
theoretical and analytical perspectives on cadences in the classical repertoire
The variety and complexity of cadence. The concept of closure is crucial to understanding music from the "classical" style. This volume focuses on the primary means of achieving closure in tonal music: the cadence. Written by leading North American and European scholars, the nine essays assembled in this volume seek to account for the great variety and complexity inherent in the cadence by approaching it from different (sub)disciplinary angles, including music-analytical, theoretical, historical,...
Non-fictie
Engels | 320 pagina's (PDF, 9,6 MB) | Leuven University Press, Leuven | 2017
E-book
2017