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Resultaat 201 - 220 (van 527)
Floor Wittink Hoe je als muzikant een bloeiende lespraktijk opbouwt
Non-fictie
Nederlands | 95 pagina's | Het Schrijversportaal B.V., Maartensdijk | 2017
Gedrukt boek
Pjotr Müller | Tonio van Vugt Pjotr Müller boek voor Mo
Beeldhouwer Pjotr Müller (1947) vertelt in stripvorm over zijn leven. Hierbij komt o.a. zijn ontwikkeling als kunstenaar aan bod, evenals zijn relatie tot zijn zoon. Ballonstrips in zwart-wit, waarin zijn beelden zijn verwerkt. Vanaf ca. 15 jaar.
Fictie | Non-fictie
Nederlands | 103 pagina's | Lecturis, [Eindhoven] | 2017
Gedrukt boek
Emanuel de Witte Emanuel de Witte
1616/17-1691/92; meester van het licht
Catalogus bij een tentoonstelling over de Alkmaarse schilder Emanuel de Witte (1616/17-1691/92), met een aantal essays over bepaalde aspecten van zijn leven en werk.
Non-fictie
Nederlands | 159 pagina's | Stedelijk Museum Alkmaar, Alkmaar | 2017
Gedrukt boek
De kunst van erotiek
Fotoboek met als thema erotische kunst door de eeuwen heen, onder andere sculpturen, fotografie, schilderwerk en schetsen van bekende en minder bekende kunstenaars met informatie over de artiest en de achtergrond van het kunstwerk.
Non-fictie
Nederlands | 272 pagina's | Spectrum, Houten | 2017
Gedrukt boek
Govert Jan Bach Govert Jan Bach over Maarten Luther en Johann Sebastian Bach
twee grensverleggers; een hoorcollege vol muziekfragmenten
Het leven en werk van Luther (cd 1) en zijn invloed op het werk van Bach (cd 2), die vaak lutherse gezangen als basis gebruikte (cd 3+4). Met boekje met tekst, afbeeldingen, bibliografie en tracklist.
Non-fictie
Nederlands | 54 pagina's | Rubinstein Publishing, [Amsterdam] | 2017
Gedrukt boek
Peter Jordens Hendrik Werkman en De Ploeg
the Next Call en het constructivisme
Een chronologische analyse van de inhoud en vorm van de negen afleveringen van het tijdschrift 'The Next Call', waarin kunstenaar-drukker H.N. Werkman (1882-1945) tussen 1923 en 1926 experimenteerde met typografie.
Non-fictie
Nederlands | 158 pagina's | WBOOKS, Zwolle | 2017
Gedrukt boek
Arnaud Mooij | Carolien Epping Old Passioned
markante actieve ouderen
Fotoboek over bekende en onbekende actieve Nederlandse ouderen, met een begeleidend interview over hun levensverhaal.
Non-fictie
Nederlands | 155 pagina's | Echt Mooij fotografie, [Utrecht] | 2017
Gedrukt boek
Barbara Laan | Esther de Haan | Alexander Westra Zuid-Kennemerland
interieurportretten van stadshuizen en villa’s 1875-1945
Interieurportretten van tien historische landhuizen in Zuid-Kennemerland (Noord-Holland), gebouwd tussen 1875 en 1945, met aandacht voor enkele technische innovaties.
Non-fictie
Nederlands | 223 pagina's | Stokerkade cultuurhistorische uitgeverij, Amsterdam | 2017
Gedrukt boek
(Dis)embodying myths in Ancien Régime opera
multidisciplinary perspectives
The role of mythology in Ancien Régime opera. Throughout the Ancien Régime, mythology played a vital role in opera, defining such epoch-making works as Claudio Monteverdi's La favola d'Orfeo (1607) and Christoph Gluck's Iphigénie en Tauride (1779). The operatic presence of the Greco-Roman gods and heroes was anything but unambiguous or unproblematic, however. (Dis)embodying Myths in Ancien Régime Opera highlights myth's chameleonic life in the Italian dramma per musica and French tragédie en...
Non-fictie
Engels | 184 pagina's (PDF, 4,9 MB) | Universitaire Pers Leuven, Leuven | 2017
E-book
Steven Vande Moortele Two-dimensional sonata form
form and cycle in single-movement instrumental works by Liszt, Strauss, Schoenberg, and Zemlinsky
Two-Dimensional Sonata Form is the first book dedicated to the combination of the movements of a multimovement sonata cycle with an overarching single-movement form that is itself organized as a sonata form. Drawing on a variety of historical and recent approaches to musical form (e.g., Marxian and Schoenbergian Formenlehre, Caplin's theory of formal functions, and Hepokoski and Darcy's Sonata Theory), it begins by developing an original theoretical framework for the analysis of this type of form...
Non-fictie
Engels | 220 pagina's (PDF, 6,8 MB) | Leuven University Press, Leuven | 2017
E-book
Thomas Christensen Partimento and continuo playing in theory and in practice
This volume is a collection of essays based on lectures given at the International Orpheus Academy for Music Theory on 'Music and Theory: Thoroughbass in Practice, Theory, and Improvisation'. Hence the point of departure was not 'Music Theory' as such, but the interaction between music theory, music history, performance practice, aesthetics, and related sciences. This multidisciplinary approach, with the accent on the interplay between music performance and music theory, is reflected in the contributions...
Non-fictie
Engels | 136 pagina's (PDF, 4,3 MB) | Universitaire Pers Leuven, Leuven | 2017
E-book
Thomas Christensen Towards tonality
aspects of baroque music theory
This is a collection of essays based on lectures presented at the International Orpheus Academy for Music and Theory on "Historical Theory, Performance, and Meaning in Baroque Music". The often complex connections and intersections between, e.g., modal and tonal idioms, contrapuntal and harmonic organisation, were considered from various perspectives as to the transition (towards tonality) from the Renaissance to the Baroque era. Bron: Flaptekst, uitgeversinformatie
Non-fictie
Engels | Frans | 205 pagina's (PDF, 17 MB) | Leuven University Press, Leuven | 2017
E-book
Orpheus Institute Artistic experimentation in music
an anthology
Essential reading for anyone interested in artistic research applied to music. This book is the first anthology of writings about the emerging subject of artistic experimentation in music. This subject, as part of the cross-disciplinary field of artistic research, cuts across boundaries of the conventional categories of performance practice, music analysis, aesthetics, and music pedagogy. The texts, most of them specially written for this volume, have a common genesis in the explorations of the Orpheus...
Non-fictie
Engels | 416 pagina's (PDF, 5 MB) | Leuven University Press, Leuven | 2017
E-book
Ewald Demeyere Johann Sebastian Bach's art of fugue
performance practice based on German eighteenth-century theory
Analyse en achtergrondinformatie bij 'Kunst der Fuge' van J.S. Bach (BWV 1080), ten behoeve van de uitvoeringspraktijk, gebaseerd op Duitse theorieën uit de 18de eeuw.
Non-fictie
Engels | 254 pagina's (PDF, 4,1 MB) | Leuven University Press, Leuven | 2017
E-book
"Recevez ce mien petit labeur"
studies in Renaissance music in honour of Ignace Bossuyt
After a distinguished career of more than 35 years, Ignace Bossuyt retired as professor at the Musicology Department of the University of Leuven on October 1st 2007. As an internationally recognised leader in the field of later-16th-century music, Bossuyt consolidated the department's reputation as a centre of excellence in renaissance music studies. Articles in this volume deal with music from the period on which the dedicatee focussed his own research. Subjects discussed include newly discovered...
Non-fictie
Engels | 312 pagina's (PDF, 6,4 MB) | Leuven University Press, Leuven | 2017
E-book
What Is a cadence?
theoretical and analytical perspectives on cadences in the classical repertoire
The variety and complexity of cadence. The concept of closure is crucial to understanding music from the "classical" style. This volume focuses on the primary means of achieving closure in tonal music: the cadence. Written by leading North American and European scholars, the nine essays assembled in this volume seek to account for the great variety and complexity inherent in the cadence by approaching it from different (sub)disciplinary angles, including music-analytical, theoretical, historical,...
Non-fictie
Engels | 320 pagina's (PDF, 9,6 MB) | Leuven University Press, Leuven | 2017
E-book
Orpheus Institute Ohne Worte
vocality and instrumentality in 19th-century music
The musical thought and practice of canonical composers. What can music tell us-without words? Can it depict scenes, narrate stories, elucidate beliefs? And can it be an instrument through which we access the inner lives not only of musicians from the past but of ourselves, today? In Ohne Worte five scholars and performers probe these and related questions to illuminate both the experience and performance of nineteenth-century music. Drawing on a rich range of sources, they reveal the musical thought...
Non-fictie
Engels | 230 pagina's (PDF, 10 MB) | Universitaire Pers Leuven, Leuven | 2017
E-book
New paths
aspects of music theory and aesthetics in the age of romanticism
New Paths, the seventh volume in the Writings of the Orpheus Institute, is a result of the third International Orpheus Academy for Music Theory. Five renowned scholars discuss a variety of topics related to romanticism, focusing especially on the years 1800-1840. In a much-needed historical and critical overview of the concept of organicism, John Neubauer ranges from its origins in Enlightenment biology to its aftermath in postmodernism. Janet Schmalfeldt shows that Beethoven's op.47 not only should...
Non-fictie
Engels | 200 pagina's (PDF, 6,7 MB) | Leuven University Press, Leuven | 2017
E-book
Kadoc Loci sacri
understanding sacred places
Sacred places have long exercised a special fascination. Sacred places are not static entities but reveal a historical dynamic. They are the result of cultural developments and have varied multidimensional levels of significance. They are places where time is, as it were, suspended, and they are points where holy times and holy places meet. Sacred places are places apart. It is this specificity in the context of the Christian religions of the West that Loci Sacri wishes to unveil by bringing together...
Non-fictie
Engels | 284 pagina's (PDF, 7,8 MB) | Universitaire Pers Leuven, Leuven | 2017
E-book
Unfolding time
studies in temporality in twentieth century music
Questions concerning music and its inextricably intertwined and complex interface with time continue to fascinate musicians and scholars. For performers, the primary perception of music is arguably the way in which it unfolds in 'real time'; while for composers a work appears 'whole and entire', with the presence of the score having the potential to compress, and even eliminate, the perception of time as 'passing'. The paradoxical relationship between these two perspectives, and the subtle mediations...
Non-fictie
Engels | 198 pagina's (PDF, 12 MB) | Leuven University Press, Leuven | 2017
E-book
Volwassenen