Timothy D. Taylor Global pop
world music, world markets
Gedrukt boek
Analysis of the way 'world music' was incorporated in the popular music business and the influence it has on society. The author explores the term 'world music' as an example of how capitalism constructs centers and undifferentiated margins, and includes discussions of the concept of authenticity, arguing that fans buy experiences of timelessness and naturalness to compensate for what the see as a corrupt and artificial present.
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